CLST 271: Classical Mythology
Pattern of the Hero
based on Baron FitzRoy Richard Somerset Raglan,
The hero; a study
in tradition, myth, and drama (London, Methuen & co., ltd, 1936,
following Lord Raglan's Presidential address to section H of the
British association, 1933)
- The hero's mother is a royal virgin.
- His father is a king, and
- Often a near relation of his mother, but
- The circumstances of his conception are unusual, and
- He is also reputed to be the son of a God.
- At birth an attempt is made, usually by his father or maternal
grandfather, to kill him, but
- He is spirited away, and
- Reared by foster-parents in a far country.
- We are told nothing of his childhood, but
- On reaching manhood he returns or goes to his future kingdom.
- After victory over the king and/or a giant, dragon, or wild beast,
- He marries a princess, often the daughter of his predecessor, and
- Becomes king.
- For a time he reigns uneventfully, and
- Prescribes laws, but
- Later he loses favor with the Gods and/or his subjects and
- Is driven from the throne and city, after which
- He meets with a mysterious death,
- Often at the top of a hill.
- His children, if any, do not succeed him.
- His body is not buried, but nevertheless
- He has one or more holy sepulchres.
Three rites of passage: Birth, Initiation, Death.
How well does the pattern work out for
Heracles, Oedipus, Pelops, Jason, Theseus, Perseus, Zeus, Apollo,
Dionysos, Aeneas, Romulus, Moses, Elijah, Jesus, Gilgamesh, Siegfried,
King Arthur, Robin Hood...
... and who else?
BACK to CLST 271 homepage
Revised 18 October 2000 by
jlong1@orion.it.luc.edu
http://www.luc.edu/depts/classics/