Loyola University Chicago

UCLR 100C-002: Interpreting Literature - Classical Studies
Personal Voices in Greek and Roman Literature

Spring Semester 2024
Dr. Jacqueline Long

Monday-Wednesday-Friday 9:20am-10:10am
Life Science Building 412

wall-painting, Pompeii, c AD 50


Texts - because we will be working closely with literary texts in every class meeting, it is better to use the printed copy and bring it physically with you each day


Schedule of Reading Assignments and Topics

The reading assignments yield essential preparation for class meetings and discussions: READ and PREPARE each assignment BEFORE the day for which it is listed; review it again as needed.

BRING a copy of the assigned text with you TO CLASS every day. LOOK AT SPECIFIC PASSAGES as we discuss them.

All details of the schedule for this class are subject to the University's Academic Calendars and Schedules.

Lyric poetry: Archaic Greece and Classical Rome
M 1/15 Martin Luther King Day: No classes.
W 1/17 Introductions
F 1/19 Calling on Community: Tyrtaeus, Callinus
M 1/22 Songs of Experience: Archilochus, Semonides
W 1/24 Settings and Singers: Mimnermus, Alcman
F 1/26 Lesbians with Burning Hearts: Alcaeus, Sappho
M 1/29 Matters of Interpretation: Solon, Stesichorus
W 1/31 Professional Callings: Anacreon, Xenophanes, Simonides
F 2/2 Transcending Greatness: Pindar
  • Greek Lyric 126-136, 192-196, 205-212, 224-230
  • assignments will be distributed in class for Translation Exercise, part 2
  • resource (note caveats in introduction): Early Greek Poets Chronology, pub. ThoughtCo.
M 2/5 Lyrical Mythology and Tradition: Bacchylides, Corinna
W 2/7 Roman Lyric Breaks Out: Catullus
F 2/9 Refining Roman Lyric: Horace
M 2/12 Roman Erotic Elegy: Gallus, Sulpicia, Propertius
W 2/14 Exam 1: Lyric poetry of Archaic Greece, and Roman receptions
Athenian Drama
F 2/16 Scene-Setting
M 2/19 In the King's Absence
  • Aeschylus, Agamemnon, episode 1 - stasimon 2 (Fagles tr. pp.112-131 / ll.258-766 or Theodoridis tr. pp.6-15 / ll.258-782)
    • note: ancient Greek and Roman scripts did not include stage-directions, but our translators insert them according to their interpretations of the plays - base all your understanding of what the plays depict on the dialogue
  • Cultural Assumptions Exercise will be assigned in class
  • resource: Extant Athenian Drama - Dates, pub. jlong1.sites.luc.edu/
W 2/21 Veiled Truths of Clytaemnestra and Cassandra
  • Aeschylus, Agamemnon, episode 3 (Fagles tr. pp.132-158 / ll.767-1354 or Theodoridis tr. pp.15-26 / ll.783-1330)
    • note: ancient Greek and Roman scripts did not include stage-directions, but our translators insert them according to their interpretations of the plays - base all your understanding of what the plays depict on the dialogue
  • resource: Extant Athenian Drama - Dates, pub. jlong1.sites.luc.edu/
F 2/23 Clytaemnestra's Present
M 2/26 Individual Desires
W 2/28 Interpersonal Consequences
  • Euripides, Hippolytus, stasimon 1 - episode 3 (Morford tr. 54-70 / ll.525-1101 or Theodoridis tr. pp.14-29 / ll.525-1103)
    • note: ancient Greek and Roman scripts did not include stage-directions, but our translators insert them according to their interpretations of the plays - base all your understanding of what the plays depict on the dialogue
  • resource: Extant Athenian Drama - Dates, pub. jlong1.sites.luc.edu/
F 3/1 Divine Actions
  • Euripides, Hippolytus, stasimon 3 - exodos (Morford tr. pp.70-80 / ll.1102-1468 or Theodoridis tr. pp.29-37 / ll.1104-1463)
    • note: ancient Greek and Roman scripts did not include stage-directions, but our translators insert them according to their interpretations of the plays - base all your understanding of what the plays depict on the dialogue
  • resource: Extant Athenian Drama - Dates, pub. jlong1.sites.luc.edu/
M 3/4-Sa 3/9 Spring Break: No classes.
M 3/11 Making Poetry, in Character
W 3/13 What Comedic Women Worshipfully Want (?)
  • Aristophanes, Thesmophoriazusae, parodos - parabasis (Barrett tr. pp.87-107 / ll.280-849 or Theodoridis tr. pp.12-26 / ll.280-846)
    • note: ancient Greek and Roman scripts did not include stage-directions, but our translators insert them according to their interpretations of the plays - base all your understanding of what the plays depict on the dialogue
  • Argumentation Exercise will be assigned in class
  • resource: Extant Athenian Drama - Dates, pub. jlong1.sites.luc.edu/
F 3/15 Parody and Interpretation: Receiving Poetry
M 3/18 Yearnings
  • Aristophanes, Frogs, prologue - parodos of the Initiates (Barrett tr. pp.133-152 / ll.1-459 or Theodoridis tr. pp.1-18 / ll.1-459)
    • note: ancient Greek and Roman scripts did not include stage-directions, but our translators insert them according to their interpretations of the plays - base all your understanding of what the plays depict on the dialogue
  • resource: Extant Athenian Drama - Dates, pub. jlong1.sites.luc.edu/
W 3/20 Familiarity Breeds
  • Aristophanes, Frogs, episode 3 - episode 5 (Barrett tr. pp.152-166 / ll.460-829 or Theodoridis tr. pp.18-28 / ll.460-829)
    • note: ancient Greek and Roman scripts did not include stage-directions, but our translators insert them according to their interpretations of the plays - base all your understanding of what the plays depict on the dialogue
  • resource: Extant Athenian Drama - Dates, pub. jlong1.sites.luc.edu/
  • resource (when the definitive edition is posted for this year's exam, the date will be updated too): Study Guide for Exam 2
F 3/22 Critical Drama
  • Aristophanes, Frogs, episode 6 - exodox (Barrett tr. pp.166-190 / ll.830-1535 or Theodoridis tr. pp.28-46 / ll.830-1523)
    • note: ancient Greek and Roman scripts did not include stage-directions, but our translators insert them according to their interpretations of the plays - base all your understanding of what the plays depict on the dialogue
  • resource: Extant Athenian Drama - Dates, pub. jlong1.sites.luc.edu/
  • resource (when the definitive edition is posted for this year's exam, the date will be updated too): Study Guide for Exam 2
M 3/25 Exam 2: Athenian Drama
Christian Self-Declaration
W 3/27 Re-figuring Identity: Perpetua
4:15pm Th 3/28 - 4:00pm M 4/1 Easter Break: No classes.
W 4/3 Perpetua's Passion
F 4/5 Perpetuating Perpetua
M 4/8 First Things First
  • Augustine, Confessions, Book 1 (Pine-Coffin tr. pp.21-41 or Outler tr. pp.11-23)
  • Optional Creative Challenge 1, if undertaken - due
  • resource: Augustine chronology, pub. R. D. Wallin
  • possibilities for Optional Creative Challenge 2 will be distributed in class
W 4/10 What's in a Pear?
F 4/12 Drama
M 4/15 Going Part-Way
W 4/17 Big Step
F 4/19 The Big City
M 4/22 Intellectual Discernment
W 4/24 Crisis
F 4/26 Resolution
9:00am - 4:15pm W 5/1 Study Day: No exams between 9:00am-4:15pm.
Sa 5/4
1:00pm-3:00pm
Final Exam: Roman Christian Self-Representation. Conformed with Loyola's Final Exam Schedule.

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Revised 7 January 2024 by jlong1@luc.edu
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